Triad Pairs For Jazz By Gary Campbell Pdf Download ((LINK))
Triad Pairs For Jazz By Gary Campbell Pdf Download
21 triad pairs for jazz for triple and double distance (1, 3, 5) triads: c c# eb f g c2 the first triad is a compound triad with major tonality. it has three different notes in one chord. the other two triads are also compound triads. the second triad has a maj triad, then b5,7 and min triad in an augmented scale. the last triad has a maj triad, minor triad, and dim triad. the sound is very good. the third triad has a minor triad and a b7 triad. 5″ “ “ 9 “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ 9
7 triads in the octatonic system (1-2) c-octatonic scale: c c# e f g bb 1b9 #9 3 # b7 one of the best scale choices may be the diminished scale over dom7alt. chord. triads in the system: major:1,3,5,7 minor:1,3,5,7 dim.:,1,2,3,4,5,6,7 oct.: no triads in the octatonic system.
28 it is important to play only one set of triads when making the second major/minor chord. for example, if you play a triad on #5 of c7 then keep playing just the one triad until you get to c, or another major, or minor chord. for instance, in the examples above we can say: if you play fb in the first triad, then you will need to play am in the second major triad. if you play eb in the first triad, then you will need to play ab in the second minor chord. in other words, the triads need to be matched across chords. this is a very important point to remember! 28 rogers
22 some people who play chords with a true voice-lead use the root note of the chord as the root of the melody, and some use an extension as the root of the melody. in this example the harmony and the melody are the same, with the cm triad as the root of the melody. this voicing makes the voice lead sound more interesting. if the chords produced are c7/ab7, bb7/ebm7, gm7/abm7, bm7/ebm7, f7/bb7 then the accompaniment chords are c, bb, g, and f. 8 rogers
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